I suppose I see the editing role as the rhythm section of a movie; the Charlie Watts of the ensemble. Setting the tempo and carefully placing all the rhythmic elements – be they dialogue or sound effects or the twirl of a hologram in the corner of a shot. The editing that goes into music is not so different from the editing that goes into a film.
filmdoctor.co.uk/2018/01/14/exclusive-blade-runner-2049-editor-joe-walker-in-conversation/